Piano
Ik ben in Gebreke gebleven (I have been at Fault), for medium voice, choir ad libitum and piano, Op. 106 nr. 4 (2025)
Aspettando al primavera, Op. 107 bis. Version for Violin and String Orchestra
Homage to Julian Assange. Varations and Fugue around an Overlandish Theme, for Orchestra, Op. 104
Oratorio ‘Toward a Golden Future’, Op. 103, Version for Soprano, Tenor, Baritone, Child’s Voice, Mixed Choir and Symphony Orchestra
Oratorio ‘Toward a Golden Future’, Op. 103, Version for Soprano, Tenor, Baritone, Child’s Voice, Mixed Choir and Wind Orchestra
Life with a UR?-Code, Opera in One Act, op. 101
Toward Freedom, Symphonic Poem in Twelve Stanzas, Op. 100. Version for Orchestra with Choir
Toward Freedom, Symphonic Poem in Twelve Stanzas, Op. 100. Version for Orchestra (without Choir)
Toward Freedom, Symphonic Poem in Twelve Stanzas, Op. 100. Version for accordion ensemble, percussion and vocal ensemble or choir ad libitum
Toward Freedom, Symphonic Poem in Twelve Stanzas, Op. 100. Version for two pianos and vocal ensemble or choir ad libitum
Aspettando al primavera, Op. 107 bis. Version for Violin and String Orchestra
Homage to Julian Assange. Varations and Fugue around an Overlandish Theme, for Orchestra, Op. 104
Oratorio ‘Toward a Golden Future’, Op. 103, Version for Soprano, Tenor, Baritone, Child’s Voice, Mixed Choir and Symphony Orchestra
Oratorio ‘Toward a Golden Future’, Op. 103, Version for Soprano, Tenor, Baritone, Child’s Voice, Mixed Choir and Wind Orchestra
Life with a UR?-Code, Opera in One Act, op. 101
Toward Freedom, Symphonic Poem in Twelve Stanzas, Op. 100. Version for Orchestra with Choir
Toward Freedom, Symphonic Poem in Twelve Stanzas, Op. 100. Version for Orchestra (without Choir)
Toward Freedom, Symphonic Poem in Twelve Stanzas, Op. 100. Version for accordion ensemble, percussion and vocal ensemble or choir ad libitum
Toward Freedom, Symphonic Poem in Twelve Stanzas, Op. 100. Version for two pianos and vocal ensemble or choir ad libitum