Compositions for Solo Voice(s) and Accompaniment

Ik ben in Gebreke gebleven (I have been at Fault), for medium voice, choir ad libitum and piano, Op. 106 nr. 4 (2025)

duration: 5½ min. | setting: Medium Voice , Choir ad libitum and Piano

Laten we zacht zijn voor elkander (Let’s be gentle with each other), for voice and piano, Op. 106 nr. 1 (2016)

duration: 3 min. | setting: Voice and Piano

Children of Gaza, Op. 79. Song Cycle on Poems by Michael R. Burch – Version for High Voice and Orchestra

duration: 40 min. | setting: High Voice and Orchestra

Toward Freedom, Symphonic Poem in Twelve Stanzas, Op. 100. Version for Orchestra (without Choir)

duration: ca. 20 minutes, or ca. 22 minutes, including the encore | setting: Orchestra with Choir

De Methode van Doctor Peck en Professor Veeren (The Method of Doctor Tarr and Professor Fether), Opera in Three Acts after a Short Story by Edgar Allan Poe, Op. 99

duration: ca. 173 min. including spoken dialogues; ca. 155 min. excluding spoken dialogues | setting: Soloists, mixed choirs and symphony orchestra

Sta op en Schitter (Arise and Shine), op. 106 nr. 3. For high voice and piano

duration: 6 min. | setting: High Voice and Piano

Einsamkeit (Loneliness), version for medium voice and piano, op. 97 nr. 3

duration: 6½ min. | setting: Tenor and Piano

Einsamkeit (Loneliness), version for high voice and piano, op. 97 nr. 3

duration: 6½ min. | setting: High Voice and Piano

An Ardent Love Affair, Cantata for tenor, baritone, choir ad libitum and piano, op. 97, inspired by ‘Scenario LOCK STEP, a world of tighter top-down government control and more authoritarian leadership, with limited innovation and growing citizen pushback’, by the Rockefeller Foundation (2010)

duration: 12 min. | setting: Tenor, Baritone, Mixed Choir ad libitum and Piano

An Ardent Love Affair, Cantata for tenor, baritone, choir ad libitum and orchestra, op. 97 bis, inspired by ‘Scenario LOCK STEP, a world of tighter top-down government control and more authoritarian leadership, with limited innovation and growing citizen pushback’, by the Rockefeller Foundation (2010)

duration: 12 min. | setting: Tenor, Baritone, Mixed Choir ad libitum and Orchestra

Записки сумасшедшего (Diary of a Madman), opera in one act after Gogol (unfinished)

duration: 23 min. | setting: tenor and symphony orchestra

Die geschlossene Tür. Fünf Lieder für hohe Stimme und Klavier, Op. 93

duration: 16 min. | setting: High Voice and Piano

Übers Niederträchtige (Acht Lieder nach Texten von Goethe und Shakespeare) About Baseness (Eight Songs after texts by Goethe and Shakespeare). Version for Mezzo Soprano, Tenor and Symphonic Wind Orchestra Op. 87 nr. 1

duration: 16 min. | setting: Mezzosoprano, Tenor and Symphonic Wind Orchestra

Fünf Lieder nach Texten Franz Kafkas (Five Songs after Texts by Franz Kafka). Version for baritone and large symphonic wind orchestra, Op. 86a

duration: 22 min. | setting: Baritone and Large Symphonic Wind Orchestra

Fünf Lieder nach Texten Franz Kafkas (Five Songs after Texts by Franz Kafka). Version for baritone and piano, Op. 86

duration: 22 min. | setting: Baritone and Piano

Liederen van de Dood (Songs of Death), Song Cycle for Soprano, Tenor and Symphonic Wind Orchestra, op. 85

duration: ca. 33 min. | setting: Soprano, Tenor and Symphonic Wind Orchestra

De Gekkenstad (The Fools’ City), op. 106 nr. 2. Version for tenor and piano

duration: 7 min. | setting: Tenor and Piano

De Gekkenstad (The Fools’ City), version for baritone and piano

duration: 7 min. | setting: Baritone and Piano

Ave Maria. Version for Soprano, Mezzo or Alto and Two Pianos

duration: 5 min. | setting: Two Flugelhorns and Wind Orchestra

Ave Maria. Version for Soprano, Mezzo or Alto and Piano Four Hands

duration: 5 min. | setting: Two Flugelhorns and Wind Orchestra

Ave Maria. Version for Soprano, Mezzo or Alto and Wind Orchestra

duration: 5 min. | setting: Soprano, Mezzo or Alto and Wind Orchestra

Мысли заблудшей души (Thoughts of a lost soul), Op. 83

duration: 17 min. | setting: tenor, accordion ensemble, electronic piano and percussion

Children of Gaza, Op. 79. Song Cycle for High Voice and Piano

duration: 40 min. | setting: High Voice and Piano

Prapic. Song Cycle for Voice, Flute, Cello and Piano, Op. 76

duration: 16 min. | setting: Voice, Flute, Cello and Piano

Hij heeft nooit een kans gehad (He never had a chance) from the Opera De Russenoorlog, Op. 49

duration: 5 min. | setting:

Varen (Sailing), Folk-like Song from the Opera De Russenoorlog, Op. 49. Arr. for Voice and Piano

duration: 3 min. | setting: Voice and Piano

Street music belonging to the Opera De Nieuwe Kleren van de Keizer (The Emperor’s New Clothes), Op. 55

duration: 15 min. | setting: Street Singer, Clarinet, Alto Saxophone, Accordion, Violin and Contrabass

Lieder und Tänze der Nacht (Songs and Dances of the Night). Version for Soprano Harp, Piano, Cembalo and String Orchestra, Op. 26a

duration: 28 min. | setting: Soprano Harp, Piano, Cembalo and String Orchestra

Galgenlieder. Song Cycle for Bassbaritone and Symphony Orchestra, Op. 5

duration: 22 min. | setting: Bassbaritone and Symphony Orchestra (4143-4221-timp.,perc.-harp,piano-str.)

Песни и Пляски Любви (Songs and Dances of Love). Song Cycle for Female Voice and Piano Trio after Poems by Anna Akhmatova, Op. 42

duration: 27 min. | setting: Female Voice and Piano Trio